In a heartfelt and candid interview, senior actress Resham addressed the recent controversial remarks made by renowned director Syed Noor. Speaking on the program “Hamare Mehmaan,” she expressed a mixture of respect and disappointment, revealing how deeply the comments affected her. Despite the hurt, Resham began by acknowledging Syed Noor’s seniority and wished him a long life, emphasizing the respect she has held for him throughout her career.
Resham reflected on her long-standing admiration for Syed Noor, stating that she has spent much of her professional life praising his contributions to the industry. However, she admitted that his recent derogatory statements were painful, especially considering their age and the uncertain time both might have ahead. She highlighted the importance of mutual respect, particularly at this stage in their lives, and expressed sadness that such remarks came from someone she once regarded highly.
Delving deeper into her personal journey, Resham clarified a significant point regarding her entry into films. She revealed that it was actually Syed Noor’s wife, Rukhsana Bhabhi, who played a pivotal role in introducing her to the film world. Contrary to Syed Noor’s recent denial on a podcast, Resham firmly stated that Rukhsana Bhabhi was instrumental in bringing her into the industry—a fact she has upheld throughout her career. She emphasized that without this introduction, Syed Noor might not have discovered an actress of her caliber, and some of his films might not have achieved the success they did.
Resham also shared that her initial ambition was not to pursue films but to focus on television. She expressed surprise and disappointment at Syed Noor’s claims on various podcasts, where he suggested she would never have had a chance in the film industry without his involvement. This, she said, was far from the truth and did not reflect the reality of her career path.
Addressing the change in her tone, Resham explained that it stemmed from the shifting attitudes she has encountered over time. She lamented that genuine respect has become increasingly rare, and only a few individuals remain truly deserving of heartfelt admiration. Despite not having worked in films for the past seven years, she questioned the fairness of being publicly humiliated on podcasts, asserting that such behavior would be more disgraceful coming from her than anyone else.
In conclusion, Resham’s remarks serve as a powerful reminder of the complexities within the entertainment industry, where personal relationships and professional respect often intersect. Her willingness to speak openly about her experiences sheds light on the challenges faced by artists navigating fame, recognition, and criticism. As the conversation around these issues continues, Resham’s perspective adds a nuanced voice to the ongoing dialogue about respect and legacy in Pakistani cinema.
